What is included in the list of 7 wonders of the world. A brief history of the seven ancient wonders of the world (8 photos). Ancient city - Petra in Jordan

At the initiative of Bernard Weber, with the help of the non-profit organization New Open World Corporation, a project to update the Seven Ancient Wonders of the World began. Using a survey, over the Internet and telephone, more than 100 million people cast their votes, after which the final list of the new seven wonders of the world was approved. The voting results were announced on July 7, 2007 in Lisbon, Portugal.

Petra in Jordan

200 km south of the Jordanian capital, deep in the sandy mountains near the Wadi Musa valley (“Valley of Moses”), the ruins of ancient Petra are hidden. It is believed that the temples and palaces of Petra were carved into the rocks 2000 years before Christ by the ancient Arab nomadic tribe of the Nabateans. The city took about 500 years to build and turned into a large trading center.

Petra was located at the intersection of important trade routes between the Red and Mediterranean seas. Petra has more than 800 attractions. Temples and crypts, Roman colonnades and an amphitheater with 3,000 seats, palaces of nobles, baths and canals - all this is hewn from stone.

Chichen Itza in Mexico

The ancient Mayan city of Chichen Itza, located in Mexico in the north of the Yucatan Peninsula. The name of the ancient city of Chichen Itza translates as “Well of the Itza Tribe.” The city arose in the 7th century AD. e. as a Mayan religious center, and by the 10th century it was captured by the Toltecs, who came to Yucatan from central Mexico, and by the 11th century it became the capital of the Toltec kingdom. In 1178, the Indian ruler Hunak Keel destroyed the Mayan sanctuary, turning it into a pitiful pile of ruins. The city fell into decay and became depopulated.

Christ the Redeemer statue in Brazil

The giant statue of Christ the Redeemer, crowning the 710-meter high Corcovado Mountain, has been rightfully considered a symbol of Rio de Janeiro and all of Brazil for 80 years. The statue of Christ with outstretched arms towers over the city of 10 million, as if blessing and hugging it. The statue reaches 38 meters in height and weighs 1,145 tons. At the foot of the monument there is an observation deck, which offers amazing views of the sandy beaches, the huge bowl of the Maracana stadium, Guanabara Bay and the Sugarloaf peak, similar in its outline to a lump of sugar.

Roman Colosseum in Italy

The Colosseum, one of the most monumental monuments of the Roman era, is a symbol of Italy to the same extent as the Eiffel Tower is for France or the Kremlin for Russia. The amphitheater was built in 8 years - construction began by Emperor Vespasian in 72 and completed in 80 by his son Titus. The walls of the Colosseum are built from large blocks of travertine, fastened together with steel brackets with a total weight of approximately 300 tons. The opening of the Colosseum was marked by 100 days of entertainment. During this time, several thousand warriors and 5 thousand wild animals brought from Africa died in gladiatorial tournaments.

The great Wall of China

The Great Wall of China is a chain of defensive structures stretching across Northern China from the Liaodong Bay of the Yellow Sea to the sands of the Gobi Desert. The length of the Chinese wall in a straight line, from edge to edge, is 2,450 km, and if we take into account all the bends and branches, then, according to various estimates, it turns out to be from 6,000 to 8,850 km. Construction, which began in 210 BC, continued with minor interruptions until the end of the Ming dynasty, that is, until the 1640s. The average height of the wall reached 7.8 meters, and its width allowed five infantrymen to march in a row or five horsemen to ride in a line.

Machu Picchu in Peru

The ruins of Machu Picchu - the “lost city of the Incas” - are hidden in the jungle high in the Peruvian Andes and surrounded on three sides by the turbulent mountain river Urubamba. The city was built as a sanctuary in 1438 by the ninth ruler of the Inca Empire, Pachacutec Yupanqui. For more than 400 years, only legends circulated about the existence of the city, and just 100 years ago (1911), the Inca stronghold again “resurrected from oblivion” thanks to the American archaeologist Hiram Bingham. The city flourished, at an altitude of 3000 meters its inhabitants grew maize, potatoes and other vegetables. The Incas cut out terraces right in the rocks, covered them with earth from the Urubamba river valley and erected massive retaining walls that protected the beds from the sun, wind and sand drifts. Around 1532, the inhabitants of Machu Picchu left the city for unknown reasons, leaving their descendants with beautiful architectural creations.

Taj Mahal in India

Facts and legends are closely intertwined in the history of the white marble masterpiece, but most historians agree that the tomb was built in the 1630s. by order of the Mughal Emperor Shah Jahan in memory of his untimely deceased wife Mumtaz Mahal. Construction continued for 22 long years. More than 20,000 people took part in it, among them builders from all over the empire, craftsmen from

Architectural buildings of the past are considered miracles of architectural thought and architecture. These include the Colosseum, the Tower of Babel, the Ishtar Gate and dozens of other buildings of past millennia. But there are buildings that are included in the “7 Wonders of the World” group. Read about it in our article. The choice of the number 7 is not accidental, since it was considered sacred.

7 Wonders of the Ancient World: List

The list of the Seven Wonders of the Ancient World includes structures from three cultures: Babylonian, Greek and Egyptian. Today, of the 7 wonders of the world, only the pyramids at Giza have survived, while the other 6 have been completely destroyed and only a few remain in ruins.

The Pyramids of Giza are the oldest of the. They were built approximately 4300-4600 years ago. The tallest of them is the Cheops Pyramid, which for a long time was the tallest structure on the planet.

All the rest (and this is the Alexandria Lighthouse, the Colossus of Rhodes, the Temple of Artemis of Ephesus, the Hanging Gardens of Babylon, the statue of Zeus at Olympia and) were built between the 7th and 3rd centuries BC.

Most were destroyed within the first thousand years. But the Alexandria lighthouse and mausoleum were destroyed only in the 15th century. You can read more about it using the link.

Seven Wonders of the Ancient World: Causes of Destruction

The destruction of three of the 6 wonders (colossus, lighthouse and mausoleum) was caused by earthquakes. Two more burned down (the statue of Zeus and the temple of Artemis), and the gardens of King Nebuchadnezzar in Babylon were destroyed by the Persians.

Seven Wonders of the Ancient World: Evolution of the List

The first list of wonders was created by Herodotus and included 3 wonders of the island of Samos. They are no longer mentioned in the new lists. Later it expanded and changed. Thus, the Tower of Babel was excluded from it.

Nowadays, the list of wonders of the world has been revised and expanded. Also in 2007, an alternative list of “7 Modern Wonders of the World” was created, which included:

There are other variations of it, more complete ones, and lists of wonders by country.
Also on the site you can read about other interesting wonders of ancient architecture, both European and other civilizations. I especially recommend reading about the Great Wall of China.

The first man appeared on planet Earth 2 million years ago; archaeological excavations in Ethiopia, Kenya, and Tanzania help to draw such conclusions. During its existence, humanity has evolved, leaving behind bright traces of its existence.
What can so clearly demonstrate to us the level of development, religion, power in various periods of human habitation on earth, if not the work of human hands? Architectural monuments are a real treasure trove of history. This is what helps us remember our majestic past, our former power, recreate lost historical information, be proud of our ancestors and believe in the strength of modern society.
7 Wonders of the World– this is the most striking demonstration of the majesty of past years. Why 7? Let's start with the fact that the 7 wonders of the world were identified back in ancient times. The number “7” was considered sacred, the number of the great god Apollo; it was a symbol of completeness and impeccability.
There are stories about these delightful historical monuments back in the Hellenistic era - this is the period of time that ends with the death of Alexander the Great, more precisely in 323 BC. The ancient papyri that have reached us indicate that the wonders of the world were the subject of study in school.
The first to describe the 7 wonders of the world known today was Herodotus. True, the ancient Greek historian in his work “History” displayed only three monuments. And in the 3rd century AD, the world was presented with a complete list of “7 Wonders of the World”, which has survived to this day.
Over time, the list changed several times, old things were removed, new things were added. However, we will now look at the wonders of the world that were on the very first ancient list that has survived to this day.
The 7 Wonders of the World include: the Pyramid of Cheops and the Lighthouse of Alexandria in Egypt, the Statue of Zeus in mainland Greece, the Hanging Gardens of Babylon in Babylon, the Temple of Artemis and the Mausoleum in Halicarnassus in modern Turkey, and the Colossus of Rhodes on the island of Rhodes.
Of all these majestic historical monuments, only one has survived to this day; the rest of the architectural masterpieces, unfortunately, were destroyed.
The Pyramid of Cheops. This is the only wonder of the world that has survived to this day. The largest pyramid at Giza was built around 2000 BC. The base of the building is square, its height reaches 147 meters, but due to the fact that sandstorms and strong winds occurred around the pyramid for several millennia, one of the 7 wonders of the world went a little underground, significantly reducing its height.
According to scientists, the construction of this tomb lasted for thirty years. But the body of the pharaoh inside the walls of the tomb was never found - this fact remains a mystery to this day.
Looking at this historical monument will take your breath away. The Pyramid of Cheops amazes with its beauty and grandeur. Were ancient Egyptian slaves able to build such a masterpiece without modern tools? How did they do it?

Hanging Pyramids of Babylon. In fact, hanging gardens should have been called "hanging" gardens. During archaeological excavations, historians came across a palace complex, which was made in the form of a pyramid. The entire pyramid was covered with a lot of vegetation, which seemed to hang from the tiers of the structure.
One of the Seven Wonders of the World was built in the 7th century BC, by order of King Nebuchadnezzar II, who at that time ruled Babylon the Great.
Nebuchadnezzar entered into an alliance with the ruler of Media, Cyaxares, which was reinforced by the marriage of the Babylonian king and the daughter of Cyaxares, Amytis. Amytis from Media, a country with rich nature, filled with greenery and fresh air, was forced to move to Babylon, a city built on arid terrain, dusty and sandy. Watching his wife suffer, the caring husband decided to give his wife a gift - to create a kind of oasis where Amitis would feel at home. Nebuchadnezzar did just that, thereby giving birth to one of the 7 wonders of the world - the Hanging Gardens of Babylon.
Why the Gardens of Babylon? The answer to this question is very simple: this is a mistake of ancient historians. They prescribed the gardens to the Assyrian queen Semiramis, who lived two centuries earlier.
Where exactly the Hanging Gardens were located still remains a mystery. Historians have several hypotheses about this.

Zeus statue in Olympia. According to Greek mythology, Zeus is the main god. He is worshiped by thunder and lightning, the sky and the air, and the other gods fear him.
The statue of Zeus, which amazed the minds of mankind, was erected in the 5th century BC in the Temple of Zeus at Olympia. The temple was made of marble and amazed with its majesty and beauty. One of the most famous and talented architects of Greece, Phidias, was invited to make the statue of the Thunderer.
In 435 the statue was unveiled. At this moment, all of Greece froze in amazement. No wonders of the world could compare with the power, strength, and beauty of the statue of the great god Zeus. Zeus was made of gold and ivory. She sat on a golden throne, in her hands was a golden scepter, a golden eagle sat proudly at her feet, and a wreath adorned her head.
It is known that in the 5th century AD the statue still existed. But after the Greeks adopted Christianity, all temples were closed. Theodosius I ordered the statue to be dismantled into parts. After which the great work of art burned down, either in Constantinople or in Greece itself.

Temple of Artemis at Ephesus. The Temple of Artemis was built in the 6th century BC. But before this architectural structure acquired the form in which it became one of the wonders of the world, it was built many times and destroyed many times.
The inhabitants of the ancient world, namely Greece, worshiped the great goddess of fertility Artemis. At a certain point, having chosen a place where sacrifices were mainly made for the goddess, the inhabitants of Ephesus began construction. Wooden buildings could not withstand natural destruction, so the temple was built several times.
Finally, the famous and talented sculptor Chersifon built a better temple in 450 BC, but a hundred years later it was burned. Then the sculptor’s followers decided to make the temple out of marble. It was the greatest masterpiece of art, and it became one of the 7 wonders of the world. The majestic structure was of enormous proportions: length – 105 meters, width – 51 meters.
Unfortunately, already in 263 the temple was plundered by the Goths. In the 4th century AD, a single religion, Christianity, was proclaimed, which demanded the destruction of all pagan cultural monuments.

Mausoleum in Halicarnassus. When exactly the construction of the mausoleum began remains unknown. Construction is considered to have begun around the 4th century BC. The time when Kariya was still a colony of the Persian Empire.
The ruler of Caria, Mavsol, began construction during his lifetime. It was finished by Mavsol's wife.
By the way, the name “mausoleum” comes from the name of the ruler – Mavsol.
The finished structure was amazing, it was so beautiful. The mausoleum in Halicarnassus was a large architectural structure, inside of which there was its own courtyard. Thin and at the same time very powerful carved images decorated the decoration of the building.
It is not known exactly how the mausoleum was destroyed. The historical monument was finally destroyed by a Maltese raid in the 15th century, or an earthquake.
The remains of the mausoleum were found in 1977 as a result of archaeological excavations by Christian Jeppez.

The Colossus of Rhodes. The Colossus of Rhodes is the penultimate one on the ancient list of 7 wonders of the world.
Unfortunately, if you now want to admire one of the most powerful monuments of ancient architecture - the 36-meter high Greek god of the sun - Helios, then you will not be able to. Since the greatest historical monument was destroyed by an earthquake in 226 BC. That work of art, which was created by the greatest ancient sculptors over the course of 12 years, stood for only 60 years.
The decision to create such a sculpture of impressive size was prompted by the gratitude of the inhabitants of Rhodes, for the fact that the supposedly great Helios contributed to the fact that Demetrius the Great was able to protect the city from the conquerors.
Now they are trying to restore one of the 7 wonders of the world. According to the plan of modern architects, the statue will be increased in size by another 30 meters, and there will be an entertainment complex inside it.

Alexandrian lighthouse. The list of “Wonders of the World” ends with a work of art that was located near Alexandria.
Alexandria was a port city, and the shore of the Mediterranean Sea was too shallow and the bottom was rocky. Therefore, in 285, a grandiose construction began on the island of Pharos, near Alexandria.
As a result of lengthy work, a 120-meter statue consisting of three sections appeared to the world. In the upper compartment of which a huge fire was burning. Stone and marble are the main components of the structure, which was supposed to be built to last. But, unfortunately, fate was not destined for such a long existence for the magnificent tower. After standing for almost 1000 years, the masterpiece of ancient art collapsed as a result of an earthquake.

Wonders of the world, how many mysteries and secrets do they contain? There is so much we still don’t know and will never know. One thing becomes clear: it is necessary to carefully protect our cultural values so that our descendants can admire the amazing historical monuments with their own eyes.

The New Seven Wonders of the World is a project whose goal was to find the modern seven wonders of the world. It was organized by the non-profit organization New Open World Corporation (NOWC) on the initiative of the Swiss Bernard Weber. The selection of the new seven “wonders of the world” from the famous architectural structures of the world took place via SMS, telephone or Internet. The result was announced on July 7, 2007.

The Colosseum or Flavian Amphitheater is an amphitheater, an architectural monument of Ancient Rome, the most famous and one of the most grandiose buildings of the Ancient World that have survived to this day. Located in Rome, in the hollow between the Esquiline, Palatine and Caelian hills.

In ancient Rome, many historical monuments have been preserved, but the most extraordinary of them is the Colosseum, in which people doomed to death desperately fought and died for the entertainment of free citizens of Rome. It became the largest and most famous of all Roman amphitheatres, and one of the greatest masterpieces of Roman engineering and architecture that has survived to this day. The grandiose Colosseum amazed everyone who came to the capital of the empire for the first time. This is a symbol of Rome and its centuries-old history, the largest and most beautiful stadium of the ancient world.

The amphitheater is a Roman invention. It consisted of an elliptical-shaped arena, surrounded by tiers of rows of seated stands, from which a large public, without putting themselves at risk, could watch exciting bloody spectacles. Gladiator fights were held here and wild exotic animals were paraded, then pitted against each other in mortal combat in front of a captivated crowd.

Even before the construction of the Colosseum, Rome had several amphitheaters, but after a great fire in 64 AD. e. a new building was needed. Roman Emperor Vespasian, who reigned from 69 AD. e., wanting to further spread the bloody sport of gladiators, he ordered to begin in 72 AD. e. construction of an amphitheater, which was to bear the name of the new imperial dynasty and surpass all previous ones in unprecedented size and beauty. The amphitheater was initially called Flavian (Amphiteatrum Flavium).

It was erected at the bottom of an artificial reservoir dug under Vespasian's predecessor, Emperor Nero, for his famous luxurious Golden House. Such a choice of location was very advantageous not only from a technical, but also from a political point of view, as if demonstrating a break with the previous decadent luxury. Vespasian developed construction plans on a scale no less than Nero, but this was construction for public needs, and not at all to satisfy the personal whims of the emperor.

The Colosseum's circumference reaches 527 meters; it has the shape of an ellipse with diagonals of 188 and 156 meters. The height of the undestroyed part is 57 meters. The four floors of the building could accommodate 80 thousand people. A giant canopy was attached to the columns of the upper tier, protecting spectators from the scorching sun. The inside of the building was paved with marble, and the façade was paved with travertine (a porous rock widely used in ancient times as a building material), the slabs of which were held together with iron brackets. Under the sand-covered wooden floor of the arena, numerous underground passages began. During performances, decorations, animals, gladiators and their weapons were raised along these passages using special mechanisms. The audience was separated from the arena by a metal grill. You could get inside the building through one of the 80 arches on the first tier.

It was solemnly consecrated in 80 AD. e. already Vespasian's heir, Emperor Titus. On this occasion, a holiday was held that lasted exactly 100 days. During that period of time, 5 thousand predators brought from northern Africa and hundreds of gladiators were killed in the Colosseum arena. But even then, despite the official opening, construction was not yet completely finished. The last, upper platform for spectators was completed only under Titus' successor, Emperor Domitian.

A distinctive feature of this structure is the large number of tiers. Its architecture shows how ingeniously it is possible to simply organize and direct the movement of countless crowds of people. A complex system of staircases and passages provided unobstructed and easy access to the stands and seats. Four main entrances made it possible to quickly enter the arena, and through 80 arches in just 10 minutes you could be in numbered spectator seats. Spectators often spent several days in a row here, so they brought food with them from home. All this speaks of a high engineering and architectural level of the design. But it should also be noted that there were no toilets there, with all the attendant circumstances.

Seats in the Colosseum were distributed according to the social status of the spectators. The lower ones were intended for representatives of the upper strata of society - government officials, priests, vestals. Commoners sat on the upper tiers. The imperial box - a podium with a spacious terrace - was located right next to the arena. The rows closest to her were reserved for wealthy patricians and honored guests. The amphitheater was divided into sectors, each of which had a serial number.

The name of the architect who designed the amphitheater is unknown, but it is assumed that he was Rabirius, who later became the author of Domitian’s palace. The outside of the amphitheater is entirely covered with travertine and has four tiers. The three lower ones represent arched propets running along the entire profile, cut by pilasters and semi-columns in the canonical sequence: on the first tier - Doric, on the second - Ionic, and on the third - Corinthian. The fourth, upper tier, completed a little later, is a solid wall, dissected by Corinthian pilasters and cut through by small windows. The crowning cornice still has holes where supports were inserted to stretch a bright awning, protecting spectators from the heat. Each arched flight of the first tier corresponded to an entrance to the seats for spectators: 76 of these entrances were numbered (Roman numerals can still be seen on the arches); four main entrances were intended: one for the imperial retinue, another for the Vestals, the third for judges and the last for honored guests.

The Colosseum operated 36 elevators, manually operated by slaves. Each elevator could be lifted by up to 10 slaves. They also transported wild animals. In 523 AD e., after long popular protests, a decree was passed in Rome prohibiting the killing of predators. In this ancient stadium, the display of gladiator fights continued until the 5th century AD. e.

In the center of the Roman Colosseum there was an arena surrounded by archers who protected spectators from attacks by predators. A terrace was built around the arena, where the imperial box and the boxes of prominent senators, judges and popes were located. The remaining spectator seats were divided into three tiers. The lower tier is for noble nobles and wealthy businessmen, the second is for the free citizens of Rome of the middle class, the last is for the common people. In the very top rows sat slaves operating the elevators. And even higher than the slaves were the sailors of the imperial navy, Classis Miseniensis. What were they doing there? They controlled the huge linen canvas that covered the top of the Colosseum so that the arena remained always open. For this purpose, a complex structure was built here, consisting of 240 pillars, supporting a giant substance. And since the sailors were excellent masters in sail control, they were the ones responsible for this sector. Under the arena there were special passages that were used for performances, as well as cages with wild animals. The creators of the Colosseum designed a complex system of passages and lifts through which angry animals released from their cages in the dungeon fell directly into the arena. There were 2 special exits in the Colosseum: the exit of life and the exit of death. The winners or pardoned gladiators came out into one, and the dead were carried out through the other.

Entry to the Colosseum was free. Many emperors cared about the amusement of their people, in this way they could be more easily kept under control. For the same purpose, before entering the stadium, flour for baking bread was distributed free of charge. Among the spectators there were many women who were ardent fans of these bloody spectacles.

Gladiatorial fights began at dawn and ended at dusk, and some festive performances lasted for several days. The performance usually opened with the performance of festively dressed gladiators, under their feet there was a wooden floor sprinkled with sand to absorb the blood.

The first number on the program was cripples and clowns: these also fought, but not seriously and without blood. Sometimes women also appeared and competed in archery. And only then came the turn of the gladiators and animals. First, trained animals performed, and then wild ones were released into the arena, which were set against each other or against armed people. The Romans' love for such spectacles led to the mass extermination of animals. But much more brutal were the battles of the gladiators who fought for life and death. They were recruited from slaves, convicted criminals, or prisoners of war. The main weapon of gladiators was a short double-edged sword - a gladius. When mortally wounded soldiers fell, a man dressed as Charon (a character from Greek mythology - the carrier of the dead to the afterlife) entered the arena. The body was taken out, the bloody stain was covered with sand, and the place of the dead gladiator was taken by the next one. Anyone who was seriously wounded could lie on the floor and beg the audience for mercy. If the crowd thought he had fought valiantly, they would chant “Mitte!” (“Free him!”). But if a fighter failed to win the sympathy of the public, the inexorable “Ingula!” followed. ("Kill him!"). In the Colosseum, the all-powerful Caesar did not contradict the wishes of his subjects: at the request of “Mitte!” he raised his thumb up, granting the gladiator life, and sometimes freedom, while after shouts of “ingula!” put his finger down, condemning the fighter to death.

The use of wild animals in the arena has become so diverse and complex that specially trained people - bestiaries - began to be brought in to perform performances with them. The Roman mob especially loved shows with animals. The highest nobility preferred gladiator fights. Bestiaries were trained in a special school. They had their own traditions, their own uniforms and their own professional jargon. During the magnificent celebrations on the occasion of the opening of the Colosseum in 80 AD. e. gladiators killed about 5 thousand lions, hippos, elephants, and zebras. A huge number of animals died in 248, during the festivities in honor of the 1000th anniversary of Rome.

Bloody gladiator fights were banned only in 404 AD. e. In 523 AD BC, after long popular protests, a decree was passed in Rome prohibiting the killing of predators.

The barbarian invasions left the Flavian Amphitheater desolate and marked the beginning of its destruction. From the 11th century until 1132, it served as a fortress for noble Roman families who competed with each other for influence and power over their fellow citizens, especially for the families of Frangipani and Annibaldi. The latter, however, were forced to cede the Colosseum to Emperor Henry VII, who donated it to the Roman Senate and people. Back in 1332, the local aristocracy organized bullfights here, but from that time on the systematic destruction of the Colosseum began. They began to look at it as a source of obtaining building material, and not only the stones that had fallen off, but also the stones deliberately broken out of it began to be used for new structures. So, in the 15th and 16th centuries, Pope Paul II took material from it to build the so-called Venetian palace, Cardinal Riario - the palace of the chancellery, Paul III - the Palazzo Farnese. However, a significant part of the amphitheater survived, although the building as a whole remained disfigured. Sixtus V intended to use it to set up a cloth factory, and Clement IX actually turned the Colosseum into a plant for the extraction of saltpeter.

The removal of the stone, which threatened to completely destroy the ancient monument, was stopped only in the middle of the 18th century by Pope Benedict XIV, who installed a cross on the building, and around it a number of altars in memory of the torture, the procession to Calvary and the death of the Savior on the cross, and consecrated it as a place of martyrdom of many Christians. This cross and altars were removed from the Colosseum only in 1874. The popes who followed Benedict XIV, especially Pius VII and Leo XII, continued to take care of the safety of the surviving parts of the building and reinforced the parts of the walls that were in danger of falling with buttresses, and Pius IX corrected some of the internal stairs in it.

The current appearance of the amphitheater is almost a triumph of minimalism: a strict ellipse, three tiers made in three orders, a precisely calculated arch shape. Initially, each arch was accompanied by a statue, and the giant opening between the walls was covered with canvas using a special mechanism.

Nowadays, it is customary to call unique artistic and technical creations a wonder of the world, which, due to their level of performance, evoke the admiration of most specialists. But in fairness, this erroneous approach should be corrected - the wonders of the world include specific objects created by people in ancient times.

Below is a list of 7 wonders of the ancient world...

1. Pyramids of Cheops (Giza)

The Pyramid of Pharaoh Khufu (in the Greek version of Cheops), or the Great Pyramid, is the greatest of the Egyptian pyramids, the oldest of the seven wonders of the world of antiquity and the only one of them that has survived to our time. For over four thousand years, the pyramid was the largest building in the world.

The Pyramid of Cheops is located in the far suburb of Cairo, Giza. Nearby there are two more pyramids of the pharaohs Khafre and Menkaure (Khefre and Mikerin), according to ancient historians, the sons and successors of Khufu. These are the three largest pyramids in Egypt.

Following ancient authors, most modern historians consider the pyramids to be funerary structures of ancient Egyptian monarchs. Some scientists believe that these were astronomical observatories. There is no direct evidence that pharaohs were buried in the pyramids, but other versions of their purpose are less convincing.

Based on ancient “royal lists”, it has been established that Cheops reigned around 2585-2566. BC. Construction of the "Sacred Height" lasted 20 years and ended after the death of Khufu, around 2560 BC.

Other versions of the construction dates, based on astronomical methods, give dates from 2720 to 2577. BC. Radiocarbon dating shows a scatter of 170 years, from 2850 to 2680. BC.

There are also exotic opinions expressed by supporters of theories of aliens visiting the Earth, the existence of ancient civilizations, or adherents of occult movements. They determine the age of the Cheops pyramid from 6-7 to tens of thousands of years.

2. Hanging Gardens of Babylon (Babylon)

The existence of one of the wonders of the world, many scientists question and argue that it is nothing more than a figment of the imagination of an ancient chronicler, whose idea was picked up by his colleagues and began to be carefully copied from chronicle to chronicle. They justify their assertion by the fact that the Gardens of Babylon are most carefully described by those who have never seen them, while historians who have visited ancient Babylon are silent about the miracle erected there.

Archaeological excavations have shown that the Hanging Gardens of Babylon still existed.

Naturally, they did not hang on ropes, but were a four-story building, built in the shape of a pyramid with a huge amount of vegetation, and were part of the palace building. This unique structure received its name due to an incorrect translation of the Greek word “kremastos”, which actually means “hanging” (for example, from a terrace).

The unique gardens were erected by order of the Babylonian ruler Nebuchadnezzar II, who lived in the 7th century. BC. He built them especially for his wife Amytis, daughter of Cyaxares, king of Media (it was with him that the Babylonian ruler entered into an alliance against the common enemy, Assyria, and won the final victory over this state).

Amitis, who grew up among the mountains of green and fertile Media, did not like dusty and noisy Babylon, located on a sandy plain. The Babylonian ruler was faced with a choice - to move the capital closer to his wife’s homeland or to make her stay in Babylon more comfortable. They decided to build hanging gardens that would remind the queen of her homeland. Where exactly they are located, history is silent, and therefore there are several hypotheses:

The main version says that this wonder of the world is located near the modern city of Hilla, which is located on the Ephrat River in the center of Iraq.
An alternative version, based on re-decipherment of cuneiform tablets, states that the Hanging Gardens of Babylon are located in Nineveh, the capital of Assyria (located in the north of modern Iraq), which after its fall was transferred to the Babylonian state.

The very idea of creating hanging gardens in the middle of a dry plain seemed simply fantastic at that time. The local architects and engineers of the ancient world were able to accomplish this task - and the Hanging Gardens of Babylon, which were later included in the list of the Seven Wonders of the World, were built, became part of the palace and were located on its north-eastern side.

They say that the statue of Zeus at Olympia turned out to be so majestic that when Phidias, having created it, asked his creation: “Are you satisfied, Zeus?” - thunder struck, and the black marble floor at the god’s feet cracked. The Thunderer was pleased.

Despite the fact that only memories of one of the most majestic statues of this scale have reached us, the mere description of the monument, which was in its own way a real masterpiece of jewelry, cannot but shake the imagination. Both before and after the creation of the statue of Olympian Zeus, people have not created a monument of such a scale - and it is not a fact that they ever will: this wonder of the world turned out to be too expensive in cost and huge in scale.

The uniqueness of this monument also lies in the fact that the statue of Olympian Zeus, the only one of all the wonders of the ancient world, was located on the territory of continental Europe, in the Greek city of Olympia, which is located on the Balkan Peninsula.

The statue of Zeus in Olympia took quite a long time to create: Phidias spent about ten years on it. When she appeared before the residents and guests of Olympia in 435 BC, she was a real wonder of the world.

The exact dimensions of the statue have not yet been determined, but apparently its height ranged from 12 to 17 meters. Zeus, naked to the waist, sat on a throne, his feet were on a bench supported by two lions. The pedestal on which the throne was located was quite huge: its dimensions were 9.5 by 6.5 m. Ebony, gold, ivory and jewelry were used to make it.

The throne itself was decorated with images of scenes from the life of the Greek celestials, the goddesses of victory danced on its legs, and the battles of the Greeks with the Amazons were depicted on the crossbars and, naturally, the Olympic Games were not absent (Panen did the painting). The Thunderer was made from ebony wood, and his entire body was covered with plates of ivory of the highest quality. The master selected materials for his statue extremely meticulously.

On the head of the supreme god there was a wreath, and in one hand he held the golden Nike, the goddess of Victory, in the other - a scepter decorated with an eagle, symbolizing supreme power. The god's clothes were made of gold sheets (in total, about two hundred kilograms of gold were needed to make the sculpture). The Thunderer's cloak was decorated with images of representatives of the animal and plant world.

Nowadays, a marble copy of one of the wonders of the world can be seen in the Hermitage, where it was brought from Italy in 1861. Apparently, this statue of Zeus was created by a Roman author in the first century BC, and it was found during archaeological excavations in the vicinity of Rome at the end of the 18th century. It is notable for the fact that today it is one of the largest antique sculptures that are in museums in the world - the height of the monument is 3.5 meters and weighs 16 tons.

The sculpture was acquired at the beginning of the 19th century by one of the Italian collectors, Marquis D. Campana.

He did not have it for long, because after some time he went bankrupt, his property was confiscated and sold at auction. Before the auction, the director of the Hermitage managed to persuade the Italian authorities to give him the opportunity to purchase some things before the sale, thus, the best exhibits from the collection of the bankrupt marquis, including the statue of the Thunderer, ended up in the Hermitage.

4. Temple of Artemis of Ephesus (Ephesus)

According to ancient Greek belief, Artemis was the goddess of hunting and fertility, the patroness of all life on earth. She looked after the animals in the forest, herds of domestic animals, and plants. Artemis provided a happy marriage and assistance during childbirth.

In honor of Artemis, a temple was built in Ephesus on the site of the former sanctuary of the Carian goddess, also responsible for fertility. The Temple of Artemis in Ephesus was so large that it was immediately included in the list of the seven wonders of the ancient world. The construction was financed by the Lydian king Croesus, and the construction work was led by the architect from Knossos, Kharsifron. During his time they managed to erect walls and columns. After his death, his son Metagenes took over the post of chief architect. The last stage of construction was led by Peonitus and Demetrius.

The Temple of Artemis of Ephesus was completed in 550 BC. A delightful sight opened before the local residents; nothing like this had ever been built here. And although it is currently impossible to recreate the former decoration of the temple, you can be sure that the best craftsmen of their time, working here, could not have made a mistake. The statue of the culprit of the construction itself was made of ivory and gold.

It was possible to recreate the image of the former majestic temple of the goddess Artemis in Ephesus only after archaeological excavations. The temple measured 105 by 51 meters. The roof of the structure was supported by 127 columns, each 18 meters high. According to legend, each column was donated by one of the 127 Greek rulers.

In addition to religious services, the temple was in full swing with financial and business life. It was the center of Ephesus, independent from the authorities, subordinate to the local college of priests.

In 356 BC, when the famous Alexander the Great was born, the temple of Artemis was burned by the Ephesian resident Herostratus. The motive of this feat is to remain in history in memory of posterity. After being caught, the arsonist faced capital punishment. In addition to this, it was also decided to eradicate the name of this person from history. But what is forbidden sits even more firmly in people’s memories, and the name of Herostratus is now a household name.

By the 3rd century BC, the wonder of the world, the Temple of Artemis in Greece, was restored on the initiative of the aforementioned Alexander the Great, but with the arrival of the Goths, it was again destroyed. Later, with the ban on pagan cults, the Byzantine authorities closed the temple. Then they begin to gradually dismantle it for building materials, as a result of which the temple fades into oblivion. A Christian church was built in its place, but it also faced the fate of destruction.

On October 31, 1869, the English archaeologist Wood manages to find the location of the former Temple of Artemis in Turkey, and excavations begin. Now in its place stands one column restored from the rubble. Despite this, the place still attracts thousands of tourists.

5. Mausoleum at Halicarnassus

Let's move to the ancient city of Halicarnassus. It was the capital of Caria and, as befits the capital of a state, it was famous for its beauty and grandeur. Temples, theaters, palaces, gardens, fountains, and a living harbor guaranteed the city honor and respect. But the tomb of King Mausolus, one of the seven wonders of the ancient world, occupied special attention here. So, the miracle of the world is the mausoleum in Halicarnassus.

King Mausolus, ruling Caria in the 4th century BC. (377-353), according to the experience of the Egyptian pharaohs, began the construction of his tomb during his lifetime. It was supposed to be a unique structure. Located in the center of the city, among palaces and temples, it symbolizes the power and wealth of the king. And to worship the late king, it must combine both a tomb and a temple. The best architects and sculptors were allocated for the construction - Pythias, Satyr, Leochares, Scopas, Briaxides, Timothy. After the death of the king, his wife, Queen Artemisia, approached the construction of an eternal monument to her great husband even more intensively.

The construction was completed in 350 BC. Its appearance combined several architectural styles of that time. The mausoleum had three levels with a total height of 46 meters. The first tier was a massive base made of brick, lined with marble. Next on it stood a temple with 36 columns. The columns supported the roof in the form of a pyramid with 24 steps. At the top of the roof there was a sculpture of King Mausolus and Artemisia in a chariot drawn by 4 horses. Around the building there were statues of horsemen and lions. The beauty of the structure was mesmerizing; it is no coincidence that the mausoleum in Halicarnassus quickly became one of the seven wonders of the ancient world.

The tomb of Mausolus and his wife itself was located in the lower tier. An upper room with columns and a statue of Mausolus was built to worship the king. The statue has survived to this day, and fully reflects the image of the despot king. The sculptor subtly conveyed the character of Mavsol in his facial features - evil, cruel, capable of getting everything he needs. It is no coincidence that he was a very rich man. Next to the statue of Mausolus there was a statue of Queen Artemisia. The sculptor embellished it, presented it in a stately, soft image. The famous sculptor of that time, Skopas, worked on it. Both of these statues are now considered among the finest in Greek culture from the 4th century BC. Separately, it is worth mentioning the upper part of the mausoleum’s base. The sculptors decorated it with scenes from the Greek epic - the battle with the Amazons, hunting, the battle of the Lapiths with the centaurs.

Mausoleum - a word derived from the name of King Mavsol, is currently a common noun among all peoples.

After 18 centuries, the mausoleum was destroyed by an earthquake. Later, its ruins were used to build St. Peter's Castle by the Knights of St. John. When the Turks arrived, the castle became the Budrun Fortress, currently called Bodrum. Excavations here were carried out in 1857. Relief slabs, statues of Mausolus and Artemisia, and a statue of a chariot were found. They are currently on display in the British Museum.

6. Colossus of Rhodes (Rhodes)

The Colossus of Rhodes is a huge statue that has become one of the Seven Wonders of the World. The grateful inhabitants of the island of Rhodes decided to build it in honor of the sun god Helios, who helped them survive the unequal struggle with the invaders. The siege of the beautiful island lasted almost a year and the likelihood of victory was negligible, but the patron helped the islanders win. For this, Helios was immortalized in the guise of a huge statue. For the people of Rhodes, the statue represented independence and freedom, just like the Statue of Liberty in New York for the Americans.

The island of Rhodes had an advantageous geographical location; its inhabitants traded freely with many countries, which ensured the wealth of the city as a whole and each citizen individually. From its foundation until the 3rd century. BC. Rhodes was ruled in turn by the famous king Mausolus, the Persian rulers and Alexander the Great. None of them oppressed the city or prevented it from developing. However, after the death of Alexander the Great, his heirs began to divide the inherited lands in a bloody struggle.

The island of Rhodes went to Ptolemy, but the other heir (Antigonus) considered this unfair and sent his son to destroy the city. This would help to equalize the power of Ptolemy. Demetrius, the son of Antigonus, assembled a huge army that outnumbered the islanders. Only impregnable walls prevented the soldiers from immediately entering the capital and destroying it. The enemies used siege towers - huge wooden catapults that were installed on ships. The inhabitants of Rhodes managed to delay their enemies until the arrival of Ptolemy's army and defend their homeland.

Having sold the siege engines and the surviving ships of the invaders, the inhabitants of Rhodes decided to erect a huge statue of the god Helios, their patron. Until then, any statues were called colossi, but after the Colossus of Rhodes, only the largest of them began to be called this way.

Construction of the Colossus began in 302 BC. and finished only after 12 years (according to other sources after 20 years). They installed the statue on an artificial embankment that blocked the entrance to the harbor. Behind this hill, for a long time, individual parts of the sculpture were hidden from prying eyes. The mound with the statue turned into a kind of gateway to the city. Some poets described the Colossus as standing on two hills. The ships had to sail between Helios' legs. However, this version is considered doubtful. The stability of such a sculpture would be too low, and large ships would not be able to dock in the port.

The statue has not survived to this day, but numerous descriptions from contemporaries indicate that the Colossus stood on one of the banks, and not at all in the form of an arch, as artists depict it. In the giant's hand was a bowl of blazing fire. At the base there were three pillars that served as support. The builders inlaid two of them with bronze parts to disguise Helios at the feet. The third pillar was in the place where the cloak or part of the sheet of the majestic Colossus fell.

Residents wanted the statue to point its hand into the distance, but the sculptor understood that this would reduce the stability of the structure, so the statue seemed to be covering its eyes from the sun with its palm. The torso and main elements were made of sheets of iron and bronze. They were secured to support posts. The space inside was filled with large stones and clay to increase stability. The free space was covered with earth so that workers could move freely along the surface and secure the following parts. In total, the production of the Colossus required 8 tons of iron and 13 tons of bronze. The resulting statue reached a height of 34 m.

The statue of the Colossus of Rhodes was so huge that it could be seen from ships sailing in the distance. According to the descriptions of contemporaries, she was a tall young man with a radiant crown on her head. One hand of the young man covered his eyes, and the other caught his falling robe.

Another poet, Philo, described the Colossus differently. He claimed that the statue was on a marble pedestal and was striking in the size of its feet. Each of them was the size of a small statue itself. There was a working torch at arm's length. It was lit at night to illuminate the way for sailors.

Scientists are still trying to discover where the Colossus of Rhodes is located or where exactly it was installed. At the end of the 20th century, huge boulders were discovered off the coast of the island of Rhodes, which resembled the fragments of a statue in shape. However, the theory that these are elements of an ancient sculpture was not confirmed. But researcher Ursula Vedder suggested that the Colossus did not stand near the shore at all, but on Monte Smith Hill. The ruins of the Temple of Helios remain here, and its foundations have a suitable platform on which the Colossus could have stood.

7. Lighthouse of Alexandria (Pharos)

Only one of the seven wonders of the ancient world had a practical purpose - the Lighthouse of Alexandria. It performed several functions at once: it allowed ships to approach the harbor without any problems, and the observation post located at the top of the unique structure made it possible to monitor the expanses of water and notice the enemy in time.

Locals claimed that the light of the Alexandria lighthouse burned enemy ships even before they approached the shore, and if they managed to approach the coast, the statue of Poseidon, located on the dome of an amazing design, uttered a piercing warning cry.

The height of the ancient lighthouse was 140 meters - much higher than the surrounding buildings. In ancient times, the buildings did not exceed three floors, and against their background the Faros Lighthouse seemed huge. Moreover, at the time of completion of construction it turned out to be the tallest building of the ancient world and remained so for an extremely long time.

The Alexandria Lighthouse was built on the east coast of the small island of Pharos, located near Alexandria - the main seaport of Egypt, built by Alexander the Great in 332 BC. It is also known in history as the Faros Lighthouse.

The great commander chose the location for the construction of the city extremely carefully: he initially planned to build a port in this region, which would be an important trading center.

It was extremely important that it be located at the intersection of both water and land routes of three parts of the world - Africa, Europe and Asia. For the same reason, it was necessary to build at least two harbors here: one for ships arriving from the Mediterranean Sea, and the other for those sailing along the Nile.

Therefore, Alexandria was not built in the Nile Delta, but a little to the side, twenty miles to the south. When choosing a location for the city, Alexander took into account the location of future harbors, paying special attention to their strengthening and protection: it was very important to do everything to ensure that the waters of the Nile did not clog them with sand and silt (a dam was subsequently built specifically for this purpose, connecting the continent with an island).

After the death of Alexander the Great (who, according to legend, was born on the day of the destruction of the Temple of Artemis in Ephesus), after some time the city came under the rule of Ptolemy I Soter - and as a result of skillful management it turned into a successful and prosperous port city, and the construction of one of the seven wonders of the world was significant increased his wealth.

The Alexandria lighthouse made it possible for ships to sail into the port without any problems, successfully avoiding underwater rocks, shoals and other obstacles in the bay. Thanks to this, after the construction of one of the seven wonders, the volume of light trade increased sharply.

The lighthouse also served as an additional reference point for sailors: the landscape of the Egyptian coast is quite diverse - mostly just lowlands and plains. Therefore, signal lights before entering the harbor were very useful.

A lower structure could have successfully performed this role, so the engineers assigned another important function to the Lighthouse of Alexandria - the role of an observation post: enemies usually attacked from the sea, since the country was well defended on the land side by the desert.

It was also necessary to install such an observation post at the lighthouse because there were no natural hills near the city where this could be done.

The lighthouse of Alexandria has served since 283 BC. until the 15th century, when a fortress was erected instead. Thus, he experienced more than one dynasty of Egyptian rulers and saw Roman legionnaires. This did not particularly affect its fate: no matter who ruled Alexandria, everyone made sure that the unique structure stood for as long as possible - they restored parts of the building that had been destroyed due to frequent earthquakes, and updated the facade, which was negatively affected by wind and salty sea water.

Time has done its work: the lighthouse stopped working in 365, when one of the strongest earthquakes in the Mediterranean Sea caused a tsunami that flooded part of the city, and the number of dead Egyptians, according to chroniclers, exceeded 50 thousand inhabitants.

After this event, the lighthouse significantly decreased in size, but stood for quite a long time - until the 14th century, until another strong earthquake wiped it off the face of the earth (a hundred years later, Sultan Qait Bey built a fortress on its foundation, which can be seen Nowadays). After this, the pyramids at Giza remained the only ancient wonder of the world that has survived to this day.

In the mid-90s. the remains of the Alexandria lighthouse were discovered at the bottom of the bay with the help of a satellite, and after some time, scientists, using computer modeling, were able to more or less restore the image of the unique structure.